Key Features
- For Speech, Vocals, and Instruments
- Cardioid Pattern Reduces Ambient Noise
- Large-Diaphragm Condenser Capsule
- Capsule Derived from U 87 Microphone
- Transformerless for Fast and Clear Sound
- 138 dB Max SPL, 7 dBA of Self-Noise
- Wide Presence Boost above 5 kHz
- Includes Swiveling Stand Mount
- Includes Wooden Box
- 48V Phantom Powered
Neumann TLM 103 Overview
Designed as a budget-friendly alternative to the heralded U 87 microphone for project studios, producers, and vocalists, the nickel Neumann TLM 103 is a large-diaphragm condenser mic offering the classic Neumann sound with elevated presence to impart a crisp, clean, and full tone. It boasts a capsule based on the U 87 married to pristine transformerless circuitry, allowing it to handle high SPLs up to 138 dB without distortion while maintaining superbly quiet self-noise of just 7 dBA.
The combination of the transformerless output stage and heightened treble response makes the TLM 103 a great choice when the sound source needs to clearly cut through the mix. The mic's compact body is ideal for positioning it in tight spots such as over a snare, inside a kick drum, or in front of a small guitar amp. By utilizing a cardioid polar pattern, the mic can effectively reduce ambient noise or instrument bleed behind the mic. The TLM 103 comes with a secure, space-saving swivel mount and a wooden box.
Affordable Alternative to the U 87
Introduced in 1997 as an affordable alternative to the venerable U 87, the TLM 103 has since become a classic in its own right. Today, the TLM 103 defines the standard by which contemporary studio microphones are measured. Its classic, tapered headgrille design gives the TLM 103 a distinct Neumann look.
Large-Diaphragm Capsule
The TLM 103 is a cardioid microphone with a large-diaphragm condenser capsule derived from the classic K67/87 capsule of the legendary Neumann U 87. However, the TLM 103 has a slightly more modern voicing with a wide presence boost for frequencies above 5 kHz.
Refined and Full Sound
Its very direct yet refined sound is perfect for vocals and solo instruments that pop out of the mix without effort. Of course, the TLM 103 also has the famous authoritative midrange that has become the hallmark of Neumann microphones and made them a top choice in studios around the world. A special feature of the TLM 103 is its impressively deep yet controlled low end, perfect for sonorous voices and powerful bass instruments.
Technical Excellence
With an incredibly low self-noise of only 7 dBA, the TLM 103 is among the quietest microphones available. And its high sensitivity of -32.5 dBV ensures ultralow noise, even with budget preamps and audio interfaces or vintage tube equipment. At the same time, the TLM 103 can handle enormous sound pressure levels of up to 138 dB without the need for pre attenuation. Its vast dynamic range of 131 dB makes the TLM 103 a very easy-to-use studio microphone as it will capture anything from a soft whisper to a thunderous bass drum without adding noise or distortion.
Transformerless Output
As a member of Neumann's TLM series, the TLM 103 works with a transformerless output stage, which minimizes transmission losses and ensures a very immediate, uncolored sound, true to the original as well as a clear, powerful bass response, even at highest signal levels.
Applications
The TLM 103 was primarily designed for project studios and broadcast use, but due to its outstanding performance was soon embraced by renowned studios as a more modern sounding alternative to the U 87 for speech, vocals, drums, guitar amps, and piano. The TLM 103 is also often used as a spot mic in classical recordings for cello and double bass.
Features at a Glance
- Large-diaphragm condenser capsule derived from the classic U 87 microphone
- Balanced sound with enhanced presence
- Cardioid pattern reduces background noise
- Transformerless circuitry with high SPL capability
- Extremely low self-noise of only 7 dBA
- XLR 3-pin output
- 48V phantom powered
- Includes swivel mount and wooden box
Neumann TLM 103 Specs
Microphone
| Primary Applications | Studio Recording |
| Form Factor | Large Diaphragm Mic / Stand/Boom Mount |
| Intended Sound Sources | Vocals, Instrument |
| Sound Field | Mono |
| Operating Principle | Pressure Gradient |
| Capsule | Condenser |
| Polar Pattern | Cardioid |
| Orientation | Side Address |
| Circuitry | Solid-State |
| Pad | None |
| High-Pass Filter | None |
| Tone Adjustment | None |
| Gain Adjustment | None |
| Indicators | None |
| On-Board Controls | None |
| Windscreen | None |
Performance
| Frequency Range | 20 Hz to 20 kHz |
| Maximum SPL | 138 dB SPL (.5% THD) |
| Off-Axis Rejection | >2 dB at 60° >10 dB at 120° >25 dB at 180° |
| Impedance | 50 Ohms |
| Load Impedance | 1000 Ohms |
| Sensitivity | -32.5 dBV at 1 kHz into 1 Kilohms |
| Output Level | 13 dBu (Max) |
| Dynamic Range | 131 dB A-Weighted |
| Signal-to-Noise Ratio | 76.5 dB CCIR 87 dB A-Weighted |
| Equivalent Noise Level | 7 dB A-Weighted 17.5 dB CCIR |
Connectivity
| Output Connectors (Analog) | 1 x XLR 3-Pin Male (on Mic) |
| Headphone Connector | None |
Power
| Bus Power | None |
| Operating Voltage | 48 V ± 4 V (Phantom Power) |
| Operating Current Consumption | 3 mA |
Physical
| Color | Nickel |
| Mounting | Mic Clip/Stand Adapter (Included) |
| Included Case | Hard Case |
| Included Filters | None |
| Dimensions | ø: 2.4 x L: 5.2" / ø: 6 x L: 13.2 cm |
| Weight | 15.87 oz / 450 g |
Packaging Info
| Package Weight | 2.615 lb |
| Box Dimensions (LxWxH) | 19.3 x 7.35 x 3.95" |
